photographed by Andy Batt
Lensbaby, makers of creative effect camera lenses, asked me to help them launch a new lens, the Sol 45mm. They wanted me to choose a personal passion project, and for me, that meant a new story within the world of Bad Choices .
My first job was to integrate the Sol 45 look with my storytelling.
Lensbaby gave me a pre-production model to carry around and experiment with. It’s a distinctive lens with loads of personality. The important part for me was integration; I didn’t want to simply overlay a lens on top of an image. The lens needed to be part of the storytelling. There’s a swirling, dreamlike quality to the images the Sol captures, and I wanted my story to be communicating that idea as well.
I spent time sitting the writer’s chair.
I needed to discover which characters would be part of this world. This became an opportunity to add a character to my world. “Subject Fourteen” is someone who’s been stripped of his own name and lost in the woods. After creating a quick set of graphic novel storyboards to help me map out the story, and discovering what the visual story would be, I went looking for locations.
“I wanted the helmet to feel like something that would trap someone, with various test probes and hoses attached to it.”
I turned to my costume designer Becca, and we came up with a backstory for 14’s outfit. He’s not the first ’14’ to wear it—it’s old, patched and worn, and now that it’s been through salt water, and a muddy slog through the woods. It’s real ugly. The helmet was tricky. I didn’t want it to be military or look like a robot. I wanted it to feel like something that would trap someone, with various test probes and hoses attached to it; a helmet for testing someone and keeping them isolated. My prop master Galvin Collins jumped in to create a ‘savage’ level build. He created a full package of working parts, age and damage, mysterious hose attachments, medical gauges and straps.
We had an amazing day on location, creating everything that ended up in the book, and working with the crew from Lensbaby. It took some time to refine the design process, do a few rewrites of the sparse text and dialog, but now that I can look on it as a final printed piece, I can say that I’m happy, and truly looking forward to writing and shooting Misled No. 2
Misled issue No. 1 on sale now!
As part of the fundraising to continue the project, this beautifully printed 24 page graphic novel is on sale for $25—completely overpriced! BUT it comes with a signed mystery 5×7 print, my hearty thanks, and the joy of knowing you supported ART! You can always go read the comic online—it’s FREE to read, and FREE to share. If you like it, buy a print copy!